Insights
Advancing Wood Processing Through Automation and 3D Printing
In Concert: Lummi Island WA with Miroslav Tadic & Yvette Holzwarth
In Concert: Anacortes WA with Miroslav Tadic & Yvette Holzwarth
Harnessing the Sun
Milling More Wood With Less
Science of Expression: Sonically Graded Wood
Acoustics for Spruce Tonewood: Dr David Olson
In Conversation: The Science Behind Building Better Guitars
Sonic Impressions: Low and High Q
Sonic Impressions: Low, Mid and High Q
Tree to Tonewood: Our Mill
The First Log
Utopia: Figured Maple Project
Siglo Tonewoods: Reforesting Hawaíi’s Koa
A Tree Point of View: Fretboard Journal
Lutz Spruce and “Hybrid Vigor”
Seeding Koa's Future
Thermal Modification of Spruce Tonewood
Key Signal and Wood Anatomy Parameters Related to the Acoustic Quality of Wood for Xylophone – Type Percussion Instruments
Guitar Analysis Using Measurements
Perceptual Evaluation of Bracewood and Soundboard Wood Variations on the Preference of a Steel String Acoustic Guitar
Perceptual Evaluation of Audible Differences Between Guitars – Q Study
Wood for Sound
The Guitar – Tracing the Grain Back to the Tree
Contemporary Acoustic Guitar Design and Build–2nd Edition
Sound, Spruce and Science: Measuring the variability of guitar tone with Pacific Rim Tonewoods
Pacific Rim Tonewoods: Where Guitars Start Their Journey
The Quest to Create A Greener Guitar
Building a Sustainable Guitar: Maple
The Guitar Industry’s Hidden Environmental Problem and the People Trying to Fix It